Alvin Baltrop (1948-2004) was born in the Bronx, New York, and spent most of his life living and working in New York City. From 1969 to 1972, he served in the Vietnam War and began photographing his comrades. Upon his return, he enrolled in the School of the Visual Arts in New York, where he studied from 1973 to 1975. After working various jobs--vendor, jewelry designer, printer--he settled on the banks of Manhattan's West Side, where he would produce the bulk of his photographic output.

Powerful, lyrical and controversial, Alvin Baltrop's photographs are a groundbreaking exploration of clandestine gay culture in New York in the 1970s and 80s. During that era, the derelict warehouses beneath Manhattan's West Side piers became a lawless, forgotten part of the city that played host to gay cruising, drug smuggling, prostitution and suicides.

Baltrop documented this scene, unflinchingly and obsessively capturing everything from fleeting naked figures in mangled architectural environments to scenes of explicit sex and police raids on the piers. His work is little known and underpublished--mainly due to its unflinching subject matter--but while often explicit, his photographs are on a par with those of Nan Goldin, Peter Hujar and Enrique Metenides.

While the outside world saw New York as the glamorous playground of Studio 54, Warhol's gang and the disco era, Baltrop photographed the city's gritty flipside; his work is an important part of both gay culture and the history of New York itself. His work makes a powerful tribute to a long-forgotten world at the city's dilapidated margins.

For sale inquiries contact Galerie Buchoolz

Copyright & Reproduction Requests

For exhibitors & research questions please contact

Eva Mayhabal Davis, Archive Manager
eva@thirdstraming.com

 
  Gordon Matta-Clark: Anarchitect  by Antonio Sergio Bessa and Jessamyn Fiore

Gordon Matta-Clark: Anarchitect by Antonio Sergio Bessa and Jessamyn Fiore

 A Journal of the Performing Arts Volume 20, 2015 -  Issue 3  : On Ruins and Ruination

A Journal of the Performing Arts Volume 20, 2015 - Issue 3: On Ruins and Ruination

 Trap Door Trans Cultural Production and the Politics of Visibility, Edited by Reina Gossett, Eric A. Stanley, and Johanna Burton. 2017. 

Trap Door Trans Cultural Production and the Politics of Visibility, Edited by Reina Gossett, Eric A. Stanley, and Johanna Burton. 2017. 

NEWS

"21 Queer Photographers Illustrate What "Pride" Really Means"

June 22, 2018 by by Stephanie Eckardt and Michael Beckert
Full article here

Nothing Works Gordon Matta-Clark and the Problem of Architecture

Gordon Matta-Clark Anarchitect by Antonio Sergio Bessa, 2018.

Cruising the Queer Ruins of New York's Abandoned Waterfront

A Journal of the Performing Arts, Issue 3: On Ruins and Ruination, by Fiona Anderson, 2017.

Out of Obscurity: Trans Resistance, 1969-2016

 Trap Door: Trans Cultural Production and the Politics of Visibility by Grace Dunham, 2016. 

"Photographers Who Have Captured LGBTQ Life in the African Diaspora"

August 16, 2017 by Yelena Keller
Full article here

 

PAST EXHIBITION

"At the Hudson River Piers"
selected by Douglas Crimp

29 June 2017 – 
19 August 2017

opening reception on Thursday,
29 June, 6-8 pm

Recent press: Village VoiceArtNewsArtforum, Photograph MagazineVice & Brooklyn Rail

More information at Galerie Buchholz